NOTE 6.6 720P
NOTE 6.6 PLUS

NOTE 6.6 PLUS

The iPhone 6 and iPhone 6 Plus are smartphones that were designed and marketed by Apple Inc.

NOTE 6.6 720P

brightness (typical), with dual-ion exchange-strengthened glassД¦: 8 MP (3264Г—2448 px max.) with 1.5 focus pixels, True Tone flash, autofocus, IR filter, burst mode, f/2.2 aperture, 1080p HD video recording (30 fps or 60 fps), slow-motion video ( 720p 120 fps or 240 fps), timelapse, panorama (up to 43 megapixels), face detection, stills from video, auto- HDR,Д¦ Plus: In addition to above: optical image stabilization (for photos only) ДЎ.2 MP (1280Г—960 px max.), 720p video recording (30В fps), burst mode, f/2.2 aperture, exposure control, face detection, auto- HDR contrast ratio ДЄll models: 500 cd/mВІ max. Multi-touch touchscreen display, triple microphone, Apple M8 motion coprocessor, 3-axis gyroscope, 3-axis accelerometer, digital compass, iBeacon, proximity sensor, ambient light sensor, Touch ID fingerprint reader, barometerД¦: 4.7В in (120В mm) Retina HD: LED-backlit IPS LCD, 1334Г—750 px resolution (326 ppi) (128 px/cm) pixel density, 16:9 aspect ratio, 1400:1 typ.

h) Lithium polymer battery Д¦ Plus: 3.82 V 11.1 W.

Overall, interesting and has impressive elements but doesn't explode enough. Actually try to avoid that criticism if it can be helped, but it is hard to ignore it here when it is a significant historical event. Historical inaccuracy has also been a criticism directed at 'Gunpowder'. Some parts seemed a bit too neat and clean. The storytelling has some harrowing, exciting and suspenseful moments, but they could have come more consistently, the tone could have been more balanced and even and the pace and script could have been far tighter. Characterisation is also not as rich as it could have been, too many of the characters are too one-dimensional and one doesn't really get to know them. It also too talky, Episode 2 especially is too heavy in talk and rambles, and it does affect the pacing which can be dull. However, the script does feel underdeveloped and tonally unbalanced, both too bland and too broad. Gatiss is too cartoonish in places, but at other times he is quite creepy. Harrington is a little flat at first but once the character grows so does his acting to something more brooding.

Kit Harrington and Mark Gatiss are a little more uneven but do have impressive moments.

Mostly the acting is fine, especially from charismatic Tom Cullen, dignified Liv Tyler (who is not as out of place as one would think) and Shaun Dooley enjoying himself. The violence and executions are harrowing and are not for the faint hearted, but that would have been the case at the time because executions were brutal then, even more so than depicted. Parts of the script do intrigue and provoke thought and the storytelling does have compelling and suspenseful moments. The music doesn't intrude but has presence and atmosphere. They are nothing short of splendid, especially the sumptuous costumes and atmospheric scenery/set design that actually give the feel of the viewer being transported to the early 17th century and being there as unseen observers. Starting with the good things, the best thing about 'Gunpowder' is the production values. The criticisms are understandable, though the purported anti-Catholicism and propaganda ones for my tastes have been blown out of proportion. It is interesting enough and there are a lot of good elements here (far more so than has been credit for by some reviewers), but it could have been much more explosive than it actually turned out to be. 'Gunpowder' is not BBC at their best though. The story of Guy Fawkes and the Gunpowder Plot is a very interesting part of history, something that was appreciated more by me once learning of the significance of the annual Bonfire Night.

Love historical period dramas, and BBC have shown numerous times that they can be very good at them, a particularly note-worthy recent example being 'Wolf Hall'.

Note 6.6