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We listened to the whole album that night and I was constantlyВ bowled over by the rhymes, levels of production & message. I had never heard this kind of hip hop coming from Australia before andВ although it was 'out there' like other Mush artists, it was totallyВ unique. Right off the bat we were hit by a crazy song built on samples from childrensВ musical toys with four MC's flipping styles like a high diver and aВ sampled chorus of someone singing 'baby how'd we ever get this way?'.

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He passed the CD to the driver and weВ all gathered around the car to hear.

Raceless happened to have a copy of his new pride & joy and wasВ enthusiastic to share with all. He said he went by the MCВ name of Raceless, an interesting moniker that would make more senseВ once I listened to his music & heard the groups message. Suddenly I was reallyВ interested in checking out this guys music. After meeting this newВ group of people and feeling elated to be able to talk aboutВ experimental hip hop and the recent break up of Antipop ConsortiumВ (another favourite) the friend started telling me about the new albumВ his group was about to release through Mush. He was taking us to punk gig/house partyВ in the inner suburbs of Melbourne, an unexpected treat for a couple ofВ outer towners used to the torture of pub bands and they're limitedВ repartee.ДЄfter standing on the fringes of a mosh in a backyard filled with punkВ fans of various colours & attire, drinking & pissing in the adjacentВ alley, we were on the road again - this time to meet up with a fewВ friends parked in a quiet residential street. I was more than suprised when I finally met the friend andВ discovered that not only was he into the same music, but he was an MCВ and discribed his music as a bit like ' Dr Octagon' - Kool KeithsВ alter ego with the incredible production talents of Dan The Automator - one of myВ all time favourite albums. All my friends at theВ time were bemoaning the death of hip hop, believing that it's gloryВ days ended around 1992 and I was starting to think i was the only oneВ in Australia who liked this 'weirdo music'. I had always leaned moreВ toward experimental hip hop artists like Freestyle Fellowship, DivineВ Styler & Kool Keith.ДЄt that time I had discovered the diverse catalogue of Mush records -В a Californian based independent responsible for the releases of Anticon, Sole, Dose One & Buck 65 to name a few. Being that she was more of a grunge & Indy-rock fanВ my assumption was that this friend would be more into commercial rap,В something I've never had much time for. I was visitingВ Melbourne with my girlfriend and she wanted me to meet a friend whoВ was into hip hop. I remember the first time I heard Curse Ov Dialect. Hopefully a best selling official release and tour that answers 'yes' to the question - 'Is anybody out there?' In the meantime we wait in anticipation to see what journey Tenda McFly will take us on next time with music made specifically for his style.

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While you're there, download his previous album, 'Music & Popcorn', which displays more dimensions of Tenda's diversity. Tenda's talents don't only lie within the MC world, he has also competed at the AUSTRALIAN POETRY SLAM competition in 2009 & 2010.ДЇor those of you who haven't yet had the pleasure of listening to the diverse indy hip hop stylings of Brisbane MC, Tenda McFly, make sure you download a copy of his latest mixtape, '.My.Life', a mesmerizing mix of poetic and personal stories (yet universal in theme) with clever word play, skillful delivery and tongue placed firmly in cheek. With influences from Lupe Fiasco, Chiddy Bang, Talib Kweli and indy rock artists like Oasis & Coldplay you get an idea of what a collaboration between Mos Def and The Verve might sound like. This is far from traditional and better for it. For the advancement of culture and art we can only hope that an emerging, unique talent like Tenda McFly can find an audience not only in cyberspace, but the universal matrix.ДЄccording to Tenda's Myspace profile he is a self proclaimed 'Martian', which is not hard to swallow if you were to sit his music on the same shelf as other hip hop artists from Australia. A fair question in todays expanding movement of independent artists having to rely on self promotion to get their name out there without the help of a major label marketing machine.

Begins the title track of Tenda Mcfly's latest mixtape, '.My.Life'.